Mark Viner piano
(P) 2020 Piano Classics
Charles-Valentin Alkan:
[0:00:00] Grande sonate, Op. 33
[0:37:14] 3 Morceaux dans le genre pathétique, Op. 15
誠者,天之道也;誠之者,人之道也。 ( Chéng zhě, tiān zhī dào yě; chéngzhī zhě, rén zhī dào yě. ) ---- 子思 《禮記·中庸》22:7 _____ Der bestirnte Himmel über mir, und das moralische Gesetz in mir. ---- Immanuel Kant (KpV: AA 05: 161.33–36) ________________________ ἃ γὰρ δεῖ μαθόντας ποιεῖν, ταῦτα ποιοῦντες μανθάνομεν (What we have to learn to do we learn by doing.) ---- Ἀριστοτέλης (Nic. Eth. 1103a33)
Charles-Valentin Alkan:
[0:00:00] Grande sonate, Op. 33
[0:37:14] 3 Morceaux dans le genre pathétique, Op. 15
Friedrich Kuhlau (1786-1832, dnk):
[00:00:00] Trio in D Major, Op. 13 No. 1
[00:20:22] Trio in G Minor, Op. 13 No. 2
[00:30:23] Trio in F Major, Op. 13 No. 3
[00:42:16] Trio in B Minor, Op. 90
[01:06:04] Trio in E Minor, Op. 86 No. 1
[01:27:20] Trio in D Major, Op. 86 No. 2
[01:54:17] Trio in E-Flat Major, Op. 86 No. 3
00:00:00 Jules Mouquet: Divertissement grec, Op. 23: I. Lydienne
00:05:15 Jules Mouquet: Divertissement grec, Op. 23: II. Dorienne
00:09:18 Jules Mouquet: Divertissement grec, Op. 23: III. Phrygienne
00:14:23 Désiré-Emile Inghelbrecht: Esquisses antiques: I. Scaphé
00:16:24 Désiré-Emile Inghelbrecht: Esquisses antiques: II. Dryades
00:18:49 Claude Debussy: Pour invoquer pan, dieu du vent d’été
00:21:24 Claude Debussy: Syrinx
00:24:32 Salvatore Sciarrino: Fauno che fischia a un merlo
00:30:25 Nino Mazzoni: Capriccio No. 3: I. Preludio – Pastorale e danza delle ninfe Naiadi
00:38:01 Nino Mazzoni: Capriccio No. 3: II. Ballo satirico del dio pan
00:41:24 Tiziano Bedetti: Marsia e Apollo
00:48:39 William Alwyn: Naiades. Fantasy-Sonata
01:03:31 Nathaniel Shilkret: The Nymphs
01:07:56 Philippe Gaubert: Divertissement grec
Pedro Almodóvar (2020) The Human Voice (es= La voz humana) (30 min.)
Tilda Swinton
On: Jean Cocteau (1930) La Voix Humaine
아니, 개가... 내 상상 속과 똑같아. 😵 어떻게 된 거지? 원작에 그것까진 없는데.
역시 알모도바르! 원래 여자만 강하다. 😉 실험은 없어졌지만, 서사가 아닌 인물의 반전을 위한 전통적 dramatization으로의 회귀. 여성, 남성, 여성, 남성... 올랜도. 참 행복한 배우다.
(Auftritt) 00:00 ∙
I. Andante con moto – Allegro un poco agitato 00:24
II. Vivace non troppo 17:58
III. Adagio 22:30
IV. Allegro vivacissimo – Allegro maestoso assai 32:38
* 법왜곡죄 https://de.wikipedia.org/wiki/Rechtsbeugung
Strafgesetzbuch (StGB) § 339 Rechtsbeugung
Ein Richter, ein anderer Amtsträger oder ein Schiedsrichter, welcher sich bei der Leitung oder Entscheidung einer Rechtssache zugunsten oder zum Nachteil einer Partei einer Beugung des Rechts schuldig macht, wird mit Freiheitsstrafe von einem Jahr bis zu fünf Jahren bestraft.
* 반헌법책임자 특별법 의안번호 2209595
애니에서 길베르트 너무 싫어 바이올렛이 아깝고 심통 나서 마지막 극장판 여태까지 안 보고 있었는데, 원작 캐릭터는 괜찮았던 듯. 어언 칠 년 간의 마음고생이 억울해짐.
아무튼 난 이 핑계 저 핑계 상황 탓 하는 인물엔 도통 면역력이 없다는.
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중딩스러운 일탈이라기보단 땡땡이 중. 급심약해진 요즘. 급기야 라노벨에 손을 대다니.
예쁜 페블로 보니 더 예뻐라. 😔
읽을 게 산더미고. 그보단 읽는 시간을 줄여야 하는데... ( ..)^
Prologue: “The Auto Memories Doll”
It had been a long time since such name was popularized.
The creator was the researcher of mechanical dolls, Professor Orlando. His wife, Molly, was a novelist, and it all started when she lost her sight. Once she had become blind, Molly was extremely depressed that she could no longer write novels – something she had done for the majority of her life – and had grown weaker as the days passed. Unable to bear seeing his wife in that state, Professor Orlando built the first Auto-Memories Doll. It was meant for registering everything said by a human voice – in other words, a machine that served as an ‘amanuensis’.
Although he had only meant to make one for his beloved wife, it later became well-known with the support of a great amount of people. Currently, Auto-Memories Dolls were being sold at a reasonably low price, and there were types that could be rented or borrowed.
팬덤에서의 기계적 번역인지 영문 표현이 아니지만.
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<劇場版 ヴァイオレット・エヴァーガーデン>(Violet Evergarden: The Movie, 2020, 石立 太一, Taichi Ishidate)
2024-02-03 달의 밤@침대
애니에서의 길베르트는 싫지만 원작 설정으로 해소되어 재회 거부 장면이 소화할 만해졌다.
그리고 TVA 칠 년 만에 다시 봤다.
10화 「愛する人は ずっと見守っている」 「사랑하는 사람은 항상 지켜보고 있어」
내장이 갈가리 찢어지는 장면도. 너무 울어서 머리가 아프다. 이틀 넘게 계속되니 괴롭다. 벌 받나?
그래도 극장판에서 앤의 손녀가 과거의 흔적을 따라와 준다. 그걸 알고 다시 보니 처음과 달리 많이 달래져서 고마웠다.
Heinrich Ignaz Franz Biber (1644-1704)
00:00 Passacaglia in G Minor for solo violin*
Johann Sebastian Bach (1685-1750) Sonata No. 1 in G Minor for Violin Solo, BWV 1001 (selection)*
08:33 Adagio
11:45 Fugue
Georg Philipp Telemann (1681-1767) Fantasy No. 1 in B flat Major for Violin Solo, TWV 40: 14*
16:45 Largo
18:56 Allegro
20:43 Grave
22:03 Allegro
Sylvius Leopold Weiss (1686-1750)
23:46 Fantasia in C Minor, SW 9
Sonata in F major SW 1
27:48 Prélude
30:13 Allemande
34:37 Courante
37:46 Sarabande
41:16 Gavotte
43:04 Gigue
Johann Sebastian Bach (1685-1750)
46:50 Ciaccona, from Partita No. 2 in D Minor for Violin Solo, BWV 1004*
* Transcription for lute by Xavier Díaz-Latorre
역쒸~ 💓 다른 차원!!!
의존하지 않는 게 더 쉽다.
새해엔 만사를 쉽게 쉽게. 그래야 내후년에라도 자격이 생기지.
우리 교수님 좀 닮아 보자. how smoothly.
성공한 한덕수들 기시감에 비통한 연말.
화병으로 일주일 내내 앓는 바람에 듣게 된 최욱. 같은 상황에서 정서 반응이 나와 정확히 일치해서 이런 사람하고 결혼하면 싸울 일 없는 건가 싶었다. 비혼주의자라고.
[MosTV] Pressekonferenz Lars Eidinger in Nazi Drama Persian Lessons von Regie Vadim Perelman
2024-09-29 해의 낮 @거실: 뮤젠
체력으로나 일정으로나 이럴 때가 아니었으나...
00:00 Felix Mendelssohn (1834) Ouvertüre zum Märchen von der schönen Melusine, Op. 32 (Overture the Fair Melusine)
Felix Mendelssohn (1842) Ein Sommernachtstraum, Op. 61 (A Midsummer Night’s Dream):
10:57 Overture
22:53 I. Scherzo
27:37 II. Fairy March
29:03 III. Song with Chorus
33:10 IV. Intermezzo
37:13 V. Nocturne
42:19 VI. Wedding March
47:25 VII. Allegro comodo. Funeral March
49:07 VIII. Bergamask Dance
50:38 IX. Finale
아파도 삶이 전쟁, 안 아파도 삶이 전쟁. 실속은 한 푼도 없고. 뭐 이래. 일장하몽. 재미로 말아먹다.
Claude Debussy (1862-1918):
[00:00] Images, 1ere série, L. 110
[17:34] Préludes, livre 1, L. 117
[58:41] Nocturne in D-flat Major, L. 82
[00:00] Images, Book II
[14:11] Préludes, Book II
0:54:05 Suite bergamasque
[0:00] Cello Sonata in F Major, Op. 5 No. 1
[22:47] Cello Sonata in G Minor, Op. 5 No. 2
[46:20] Cello Sonata in A Major, Op. 69
[1:11:47] Cello Sonata in C Major, Op. 102 No. 1
[1:25:49] Cello Sonata in D Major, Op. 102 No. 2
[1:42:22] Variations on “See the Conque’ring Hero Comes” from Handel’s Judas Maccabaeus, Wo0 45
[1:54:26] Variations on “Bei Männer, welche Liebe fühlen” from Mozart’s Die Zauberflöte, Wo0 46
[2:03:24] Variations on “Ein Mädchen oder Weibchen” from Mozart’s Die Zauberflöte, Op. 66