誠者，天之道也；誠之者，人之道也。 ( Chéng zhě, tiān zhī dào yě; chéngzhī zhě, rén zhī dào yě. ) ---- 子思 《禮記·中庸》22:7 _____ Der bestirnte Himmel über mir, und das moralische Gesetz in mir. ---- Immanuel Kant (KpV: AA 05: 161.33–36) ________________________ ἃ γὰρ δεῖ μαθόντας ποιεῖν, ταῦτα ποιοῦντες μανθάνομεν (What we have to learn to do we learn by doing.) ---- Ἀριστοτέλης (Nic. Eth. 1103a33)
00:47 I. Moderato
12:04 II. Adagio sostenuto
23:21 III.Allegro scherzando
36:39 Encore: Tchaikovsky - No.10 October 'Autumn Song' from The Seasons Op.37a/ Op.37b
[00:00] I. Largo – Allegro moderato
[19:27] II. Allegro molto
[30:17] III. Adagio
[44:29] IV. Allegro vivace
Premier tableau : L'adoration de la Terre
1. Introduction (Lento - Più mosso - Tempo I)
2. Augures printaniers – Danses des adolescentes (Tempo giusto)
3. Jeu du rapt (presto)
4. Rondes printanières (Tranquillo - Sostenuto e pesante - Vivo - Tempo I)
5. Jeu des cités rivales (Molto allegro)
6. Cortège du Sage (Molto allegro)
7. L'adoration de la Terre (Le Sage) (Lento)
8. Danse de la Terre (Prestissimo)
Second tableau : Le sacrifice
1. Introduction (Largo)
2. Cercles mystérieux des adolescentes (Andante con moto - Più mosso - Tempo I)
3. Glorification de l'élue (Vivo)
4. Évocation des ancêtres (Lento)
5. Action rituelle des ancêtres (Lento)
6. Danse sacrale
중간중간 쉬면 앉아 있을 수 있게 되니 얼마 만인지 휴일이 꿀 같다. 희망이 돌아와서. 다시는 그 어떤 이유로도 내 중심을 잃지 말 것.(이십 대 후반 이후 내 하루 평균 working 시간은 줄곧 정기 휴일 없이 평균 17시간을 유지했다. 몇 개월 국한 비상 상황들을 제외하면, 그 이상은 자멸 행위가 자명.) 신의가 없는 이를 기대하지 말 것. 인류애는 공적 경로로만.(나마스떼를 먹이로 인지하는 생명체들이 지구에는 있다.)
본업 사수는 기본. 지난 십오 년, 확실한 모델이 되는 이들과 교류하는 상황을 어떻게든 늘 유지했던 것은 지혜로웠다. 환경이 주어지지 않으면 내가 환경을 만든다. 오랜 프리랜서 경륜. 필수적 기준 점검에 에너지가 낭비되면 안 된다.(기준은 말로 세울 수 있는 것이 아니기에. 무수한 훈련 끝 몸에 배어 저절로 운행되는 것.) 더하여 기꺼운 전우애로 충전, 치유되었고. 덕으로 갚을 복들도 쌓았고. Go, go, go! 이열치열.
Sergei Prokofiev (1891-1953, rus):
[0:00:00] Piano Sonata No. 4 in C Minor, Op. 29
[0:19:56] Piano Sonata No. 7 in B-Flat Major, Op. 83
[0:42:24] Piano Sonata No. 8 in B-Flat Major, Op. 84
[1:15:19] Toccata in D Minor, Op. 11
Дмитрием Шостаковичем (1906-1975): 24 прелю́дии и фу́ги соч. 87 :
00:00 Prelude and Fugue No. 1 in C Major
06:22 Prelude and Fugue No. 2 in A Minor
08:46 Prelude and Fugue No. 3 in G Major
12:34 Prelude and Fugue No. 4 in E Minor
20:52 Prelude and Fugue No. 5 in D Major
24:46 Prelude and Fugue No. 6 in B Minor
30:51 Prelude and Fugue No. 7 in A Major
34:53 Prelude and Fugue No. 8 in F♯ Minor
43:29 Prelude and Fugue No. 9 in E Major
48:14 Prelude and Fugue No. 10 in C♯ Minor
55:39 Prelude and Fugue No. 11 in B Major
59:20 Prelude and Fugue No. 12 in G♯ Minor
1:07:19 Prelude and Fugue No. 13 in F♯ Major
1:14:21 Prelude and Fugue No. 14 in E♭ Minor
1:21:26 Prelude and Fugue No. 15 in D♭ Major
1:26:24 Prelude and Fugue No. 16 in B♭ Minor
1:36:15 Prelude and Fugue No. 17 in A♭ Major
1:41:48 Prelude and Fugue No. 18 in F Minor
1:47:38 Prelude and Fugue No. 19 in E♭ Major
1:52:20 Prelude and Fugue No. 20 in C Minor
2:01:35 Prelude and Fugue No. 21 in B♭ Major
2:06:06 Prelude and Fugue No. 22 in G Minor
2:12:15 Prelude and Fugue No. 23 in F Major
2:18:30 Prelude and Fugue No. 24 in D Minor
Цезарь Антонович Кюи (César Cui, 1835-1918, rus):
[0:00:00] 4 Morceaux, Op. 22 («à Mr Théodore Leschetizki», 1883)
[0:21:53] Valse-Caprice, Op. 26 («à Mme Anna Essipoff-Leschetizky», 1883)
[0:46:28] 2 Polonaises, Op. 30 («à Anton Rubinstein», 1886)
[1:00:42] 3 Valses, Op. 31 (1886)
[1:15:18] 3 Impromptus, Op. 35 («à Mr Hans de Bülow», 1886)
[1:28:42] 5 Morceaux, Op. 52 («à Louis Diemer et Raoul Pugno», 1895)
[1:41:56] Impromptu-Caprice (1896)
[1:47:03] 4 Morceaux, Op. 60 (1900-01)
[2:06:16] Thème et variations, Op. 61 («à Joseph Hofmann», 1901)
[00:00] I. Allegro ma non troppo, un poco maestoso
[15:15] II. Molto vivace
[27:51] III. Adagio molto e cantabile
[42:38] IV. Finale
[48:52] Ode to Joy
[00:00] I. Allegro non troppo e molto maestoso – Allegro con spirito
[21:25] II. Andantino semplice – Prestissimo – Tempo I
[28:35] III. Allegro con fuoco – Allegro vivo
I. Allegretto 00:00
II. Moderato 06:47
III. Cadenza 20:05
IV. Allegro con moto 25:53
[9:56] Richard Strauss (1897) Don Quixote, Phantastische Variationen über ein Thema ritterlichen Charakters op. 35 (Don Quixote, Op. 35 for cello, viola, and orchestra, "Fantastic Variations on the Knightly Theme of Don Quixote")
[56:35] * Interview with Meerovich
[1:20:16] Franz Schubert (1824-1826) Große Sinfonie in C-Dur, D 944 (Symphony No. 9 in C major, D 944, "The Great")
Цезарь Антонович Кюи (César Cui, 1835-1918, rus):
[0:00:00] 3 Morceaux, Op. 8
[0:11:29 Scherzino (for the Magazine Semya i Shkola, 1879)
[0:14:00] 12 Miniatures, Op. 20 (1882)
[0:38:16] Piano S]uite, Op. 21 («à François Liszt», 1883)
[1:00:42] 6 Miniatures, Op. 39 (1886)
[1:11:06] À Argenteau, recueil de neuf pièces caractéristiques, Op. 40 («au Comte et à la Comtesse de Mercy-Argenteau», 1887
[1:53:08] 3 Mouvements de valse, Op. 41 (1888)
Антон Григорьевич Рубинштейн (Anton Rubinstein, 1829-1894, rus):
[00:00:00] Cello Sonata No. 1 in D Major, Op. 18 (1852)
[00:29:03] Cello Sonata No. 2 in G Major, Op. 39 (1857)
뭔가 이상하다 싶었더니, 안톤이었다.
[0:00:00] Album for the Young, Op. 39
[0:26:28] 12 Pieces for Piano of Medium Difficulty, Op. 40
[00:00] I. Andante sostenuto – Allegro vivo
[11:16] II. Andantino marziale, quasi moderato
[18:09] III. Scherzo. Allegro molto vivace
[23:23] IV. Finale. Moderato assai – Allegro vivo
Софи́я Асга́товна Губайду́лина (Sofia Gubaidulina, 1931-2025, rus):
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